Jon Hammond Organ Group Original Funk Tune Head Phone in HD 1080p Video Jazzkeller Frankfurt

*WATCH THE VIDEO HERE: Head Phone 2013 by Jon Hammond HD 1080p Jon's Archive http://archive.org/details/JonHammondHeadPhone2013byJonHammond/ Youtube http://www.youtube.com/watch?v=MZeSXqt9-3w Blip TV http://blip.tv/jon-hammond/head-phone-2013-by-jon-hammond-6591842 Jon Hammond original funk composition "Head Phone" performed at Jon Hammond's annual Musikmesse Warm Up Party in Jazzkeller Frankfurt, kicking off the 2013 Musikmesse the night before with many special friends in the house - this cut from the 2nd set, Joe Lamond President & CEO of NAMM in the house with the NAMM Team and friends from all over the world, P.Mauriat Saxophones Team from Taipei Taiwan and Poland - Bernie of Bernies Music Land Australia - Japan, Hungary, USA, France - like a United Nations convention with a giant chocolate chocolate birthday cake! Celebrating 27 years Musikmesse and 60 years old birthday boy Jon Hammond at the organ with Tony Lakatos tenor saxophone, Totó Giovanni Gulino drums, Joe Berger guitar - special thanks to Thomas Eich for the super TecAmp bass rig with specially designed dual 12" Neodymium speaker cabinet and TecAmp head powering Jon's Sk1 Hammond organ - Jazzkeller Frankfurt Team, Messe Frankfurt - and the wonderful article with JH interview in Journal Frankfurt by Detlef Kinsler *in Deutsch: http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html?src=funkyjazz&id&rewrite_titel Kultur - JOURNAL FRANKFURTAlle NachrichtenKulturMy home away from home: on Hammond zum 27. Mal auf der Musikmesse Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein. JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller? Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind. Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren? Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht. Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben? Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das - mit einer Sondergenehmigung des US Militärs - durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin. Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren? Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz. Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen? Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht). 27. März 2013 Interview: Detlef Kinsler Web: http://www.HammondCast.com/ ALL RIGHTS JON HAMMOND International / ASCAP Dailymotion Motionmaker http://www.dailymotion.com/video/x1055wa_head-phone-2013-by-jon-hammond-hd-1080p_music#.UZ4cEetAv6w Detlef Kinsler (Journal Frankfurt / Frankfurter Rundschau) and Jon Hammond in Jazzkeller Frankfurt 2013 Frankfurt Musikmesse Action World's Largest Musical Instruments Show and ProLight + Sound 27th Year Jon Hammond on the scene Jon Hammond Band - Musikmesse Warm Up Party Chocolate Chocolate Cake baked by Saray Pastnesi Bakery on Mainzer Landstrasse FFM - Musikmesse Warm Up Party 2013 very special friends in Jazzkeller Frankfurt - thank you so much everybody for joining us for celebrating 27 years Musikmesse and 60 year birthday boy cake action with Jon Hammond Band, Tony Lakatos tenor saxophone, Totó Giovanni Gulino drums, Joe Berger guitar and Jon at the Sk1 Hammond organ - we're going to do it again next year in 2014! L to R: Joe Lamond President CEO of NAMM, Jon Hammond, Joe Berger Betty Heywood, NAMM director of International Affairs and Jon Hammond at Musikmesse Warm Up Party - Jazzkeller Frankfurt Chocolate Chocolate cake action - Super Jenny cutting cake - many thanks Super Jenny! - Musikmesse Warm Up Party 2013 very special friends in Jazzkeller Frankfurt - thank you so much everybody for joining us for celebrating 27 years Musikmesse and 60 year birthday boy cake action with Jon Hammond Band, Tony Lakatos tenor saxophone, Totó Giovanni Gulino drums, Joe Berger guitar and Jon at the Sk1 Hammond organ - we're going to do it again next year in 2014! The Best Baker in Frankfurt delivered personally my birthday / 27 year Musikmesse Warm Up Party chocolate chocolate cake to Jazzkeller Frankfurt, dankeschön! Jon Hammond - Day 1 Musikmesse kicking it off folks, JH Musikmesse Warm Up Party 2013 very special friends in Jazzkeller Frankfurt - thank you so much everybody for joining us for celebrating 27 years Musikmesse and 60 year birthday boy cake action with Jon Hammond Band, Tony Lakatos tenor saxophone, Totó Giovanni Gulino drums, Joe Berger guitar and Jon at the Sk1 Hammond organ - we're going to do it again next year in 2014! — at Jazzkeller Tony Lakatos, Jon Hammond, Totó Giovanni Gulino, Joe Berger Musikmesse Warm Up Party 2013 very special friends in Jazzkeller Frankfurt - thank you so much everybody for joining us for celebrating 27 years Musikmesse and 60 year birthday boy cake action with Jon Hammond Band, Tony Lakatos tenor saxophone, Totó Giovanni Gulino drums, Joe Berger guitar and Jon at the Sk1 Hammond organ - we're going to do it again next year in 2014! MY HOME AWAY FROM HOME http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html?src=funkyjazz&id&rewrite_titel Sk1-88, Sk1-61, Hammond organ, Jon Hammond, Jazzkeller Frankfurt, Musikmesse, NAMM Show, Funk Tune, ASCAP, Journal Frankfurt, Detlef Kinsler, Tony Lakatos, Joe Berger, TecAmp, Thomas Eich, Local 802, Musicians Union

New Hammond Product Sk1-88 at AMAC Australia HammondCast

*WATCH THE VIDEO HERE: New Hammond Product Sk1-88 at AMAC Australia HammondCast Jon Hammond archive https://archive.org/details/NewHammondProductSk188AtAMACAustraliaHammondCastHD720p Jon Hammond returns to AMAC The Australian Music Association Conference - here with the new Hammond SK-1-88 making it's first appearance in Australia courtesy of Bernies Music Land - Jon speaking with Bill Ferguson of Carlingford Music Centre a big Hammond organ outlet down under (in the heart of Sydney) and Robert Barbarossa of Bernies Music Land demonstrates some of the other remarkable sounds possible with the full-size 88 key version of the Sk1 Hammond http://www.HammondCast.com/ Sk1-88 at AMAC The Australian Music Association Conference Jupiters Gold Coast 1 Casino Drive, Broadbeach, Queensland, Australia 4218 Youtube http://youtu.be/3uA0SA0gtIw http://www.musicland.com.au http://www.facebook.com/photo.php?v=10151620068892102 Photo by Erika Kapin - Joe Berger and Jon Hammond at Junior Mance's Birthday Party & Concert event at The New School for Jazz and Contemporary Music - thanks for the great shot Erika! http://www.facebook.com/events/372895482815800/permalink/372895486149133/ "Join us as we celebrate the 85th birthday and 75th year of performance of renowned pianist and faculty emeritus, Junior Mance" ... — with Les Paul and Joe Berger at The New School for Jazz and Contemporary Music Visit with Berklee's Innovation Strategy and Technology VP David Mash Jon's archive http://archive.org/details/InnovationStrategyAndTechnologyVPDavidMashHD720p Jon Hammond's Visit with Berklee's Innovation Strategy and Technology VP David Mash in the Corporate Offices of Berklee College of Music Boston MA, kicking off Fall Semester of 2013 http://www.berklee.edu/ Check out David's site http://mashine.com/Mashine/David_Mash.html David Mash is Senior Vice President for Innovation, Strategy, and Technology at Berklee College of Music in Boston, Massachusetts, the world's leading institute of contemporary music. In previous roles at Berklee, David was the founding chair of the Music Synthesis Department, the first degree program in MIDI and music synthesis in the United States, now internationally recognized as the premier music technology program of its kind; as Assistant Dean of Curriculum for Academic Technology, David developed the Center for Technology in Music Instruction - a development center for supporting faculty's use of technology in their teaching, and helped design the Berklee Learning Center - the largest networked music learning facility in the country. The unique facilities for teaching David has designed have served as a model for interactive teaching environments at many major colleges and universities. From 1996 - 2005 David was Vice President for Information Technology, and was charged with the successful integration of technology into all college processes. In 2005, as Vice President fro Technology and Education Outreach, he began working to expand Berklee's City Music program into a national initiative through the Berklee City Music Network, which is now providing after-school music programs at no cost to middle- and high-school teens from underserved communities at 32 sites across the country. In order to provide access to excellent curriculum and learning materials, he helped to build the Berklee PULSE music method. Most recently, David led the development of a new online learning platform for enrolled students at Berklee called InsideBerklee. As a leading authority on music technology and education, David Mash has been featured on national and international media broadcasts such as 3-2-1-Contact, Newton's Apple, World Monitor, CBS Evening News, All Things Considered and Voice of America. He has also been featured on Apple Computer's video Macintosh, Music, and MIDI - The Open Door as well as BMG Victor's video Macintosh Music Bible Video - Volume 1 . He has been a pioneer in music and multimedia and composed the score for the digital movie Maria Lionza that won the 1992 International QuickTime Movie Festival award for best documentary, and is available on CD-ROM from Sumeria QuickTime: The CD 1992. He was affiliated with the Kodak Center for Creative Imaging in Camden, Maine, and taught the first music and multimedia courses offered at the center. David has collaborated on development and artistic projects with leaders in the multimedia and music industries such as Kodak, Adobe Systems, Digidesign, Opcode, and Korg and has consulted on product development for many manufacturers of music technology products. Rolling Stone magazine has called David "the industry's leading evangelist for the marriage of music and technology." David was named an AppleMaster by Apple Computer for his contributions to the fields of music, technology, and education. David is past International Chair for Electronic Music for the International Association of Jazz Educators, and maintains an active schedule as speaker and presenter at national and international clinics and workshops on art, technology, and education. He has also been the recipient of grants, fellowships, and awards including a finishing grant from Apple Computer, the Arts Partnership grant for Composition/Performance, and Jazz Composition Fellowship from the Mass Council on the Arts and Humanities. David's publications include • Musicians and the Internet, Warner Brothers • Musicians and Computers, Warner Brothers • Musicians and Multimedia, Warner Brothers • Musicians and Computers Interactive, Warner Brothers • Macintosh Multimedia Machine, Sybex • Computers and the Music Educator, Warner Brothers • "Guide to Instructional Computing"; National Association of Jazz Educators • "Digital Music Workstations as Creative Classroom Tools"; National Association of Jazz Educators • "Future Class"; Berklee Today • "Kurzweil 250 User's Guide"; Kurzweil Music Systems • "Technology for Teaching: Software, Synthesizers, and Sound Design"; Music Educators Journal Hammond and Mash at Frankfurt Musikmesse Hammond and Mash at NAMM Show Recent Berklee Alumni Dinner, San Francisco California - Berklee's Beverly Tryon on in foreground Blip TV http://blip.tv/jon-hammond/visit-with-berklee-s-innovation-strategy-and-technology-vp-david-mash-6639066 Youtube http://youtu.be/rVUvButN9Ak 2 Detroiters: David Mash Dean of Technology Berklee College of Music here in his office with Larry Fredson, photo by Jon Hammond *Note: David did the deal with Apple to make Apple Mac Powerbooks standard for Berklee curriculum, and passed out 2,000 Apple Powerbooks to kick it off http://laterent.blogspot.com/ Jon Hammond 1974 Berklee — with David Mash at Berklee Film Scoring Jon's archive http://archive.org/details/ReturnOfTheStudentJonHammondVisitWithTonyGermainHD1080p Jon Hammond visit with his piano teacher Tony Germain: "So good to see my piano teacher main man Tony Germain 40 years later from the first day we met on Scheduling Day 1973, looking good Tony! Greatest piano and Hammond organ teacher folks! Tony taught so many players well and created the organ department (long story!) Chairing the PIano Department, (he has a nice chair in his office and superb Steinway Grand Piano) - if you are lucky enough to be a student at Berklee and get to study with Tony Germain, then you are living under the lucky star - Tony is the Man!! Thanks for everything you showed me Tony, straightened me out big time" - Jon Hammond *Return of the Student - Here I am with my Piano Teacher main man Tony Germain 40 years to the day later from the first time we sat down together folks - interview coming soon, many thanks Tony! Jon Hammond http://www.berklee.edu/people/tony-germain Position: Assistant Chair Department: Piano "I think I might have been one of Berklee's first graduates with what today is called the performance major in piano. So as assistant chair, I have a vested interest in making sure we're still preparing piano, keyboard, and organ students, without being in any way style prejudiced. I also took the position to have a little bit more involvement with the curriculum—to see what I could personally add or help create." "When I went to Berklee, Ted Pease, Phil Wilson, and Mike Rendish were my role models and my teachers. They set the standard for what I'd become and how I would teach. They were all very good to me, and I could see how much they loved it. Here at Berklee, I'm giving back to something that has given me everything. I often describe Berklee as a musical Fantasy Island. I just don't know where else I'd be happy." "Prior to becoming assistant chair of the Piano Department, I taught pretty much everything across the board for 33 years: harmony, ear training, arranging, ensembles. I created the Harmonic Ear Training course and taught it from about 1978 until I became assistant chair. I'm equally in love with private and classroom teaching, and have done it all my adult life. I probably get more out of it than my students do. But hopefully I inspire students to further their interests in whichever style of performance they desire—it's my job to prepare them for the long haul. I still teach Survey of Piano Styles: History of Jazz Piano. I didn't want to give it up. And I didn't want to not teach entirely, because you lose touch if you're out of the classroom." Career Highlights B.M., Berklee College of Music Performances with Judy Garland, Herb Pomeroy, Joe Hunt, and Dick Johnson Musical director, Jacques Brel Is Alive and Well, Charles Playhouse Pianist and keyboardist with jazz and commercial groups Recordings include Forces with Jerry Tachoir; Risa's Waltz with Danny Harrington; Until Further Notice with Steve Rochinski; Sasha Sings Dinah, A Tribute to the Queen, Dinah Washington with Sasha Daltonn; Happy Talk with Christine Fawson; At Last with Kimberly Keating; Read Between the Lines with Jan Shapiro; Live at the Firehouse with Danny Harrington; The Berklee Great American Songbook series; and for Acuff-Rose, Nashville Published articles in Keyboard and Berklee Today magazines Professional performing and recording artist Television and radio experience, including Community Auditions/ Dave Maynard Talent Showcase, WBZ, Channel 4, Boston; Jack Harris Show, Detroit; Nick Clooney Show, Cincinnati; Music America, WGBH Radio, Boston; and Grand Ole Opry, Nashville Performer and clinician, Berklee on the Road programs in Umbria, Puerto Rico, and Los Angeles Leadership Stephany Tiernan Chair Tony Germain Assistant Chair — at Berklee College of Music http://www.HammondCast.com/ — at Berklee College of Music Youtube http://youtu.be/TppXGPzVaK8 http://www.facebook.com/jonhammondorgangroup New Hammond Product, Sk1-88, Sk1, Hammond organ, Australia, AMAC, Gold Coast, Jon Hammond, Bernie Capicchiano, Jupiters, Berklee College of Music, Suzuki Musical Instruments, Local 802, Musicians Union

Tribute to 9/11 w/ America's Pride Blue Angels "Get Back in The Groove"

*WATCH THE VIDEO HERE: Tribute to 9 11 w America's Pride Blue Angels Get Back in The Groove Tribute to 9/11 with America's Pride The Blue Angels and Music "Get Back In The Groove" by Jon Hammond Band "America's pride The Blue Angels here at SFO to perform fearlessly in honor of Fleet Week with support from United Airlines Team at United Family Day very special annual event, special thanks to all these fine folks it takes to make it happen. From the Firefighters, to the Mechanics, Air Controllers, Crew, Food Preparations even the Imperial Storm Troopers from Star Wars were on hand for this very special family day - with music here from The Jon Hammond Band with special guest Lee Oskar harmonica, recent performance in Frankfurt Germany at the famous Jazzkeller "Tribute to 9/11 - Get Back In The Groove" Tony Lakatos tenor sax, Giovanni Gulino drums, Joe Berger guitar, Jon Hammond at Sk1 organ, enjoy folks! Sincerely, Jon Hammond Organ Jon Hammond Organ Group http://www.HammondCast.com/ " — with Jon Hammond Organ Group, Jon Hammond Band, Joe Berger, Lee Oskar and Giovanni Totò Gulino at San Francisco International Airport (SFO) http://www.facebook.com/photo.php?v=10151618410852102 Youtube http://youtu.be/2C3KtLtMVm8 Blip TV http://blip.tv/jon-hammond/blue-angels-2012-fleet-week-air-show-at-sfo-with-music-from-jon-hammond-band-6390136 Facebook http://www.facebook.com/photo.php?v=10151102204517102 Blue Angels, Fleet Week, 2012, SFO, United Airlines, F-22 Raptor, America's Pride, Jon Hammond Band, Airport SFO -- Jon Hammond with Raymond Woo of Civil Air Patrol on the tarmac at SFO International Airport - Fleet Week Air Show 2012 — at San Francisco International Airport (SFO) SFO -- 1949 Chevy Fleetline Deluxe looking real good! Jon Hammond SFO -- Nice looking Morgan car - has wooden frame Jon Hammond Rare! SFO -- T-Bird Time, American Classics in distinctive colors, nice! Jon Hammond SFO -- The famous Mainliner O'Connor United DC-3 used by William A. Patterson founder and C.E.O. of United, was in service from 1948 - 1952. Patterson named the airplane after Mary O'Connor, one of United's first flight attendants who flew with Patterson on the aircraft. Jon Hammond DC-3 N814CL Now Restored and belonging to Clay Lacy. — at San Francisco International Airport (SFO) SFO -- 2 awesome Lockheed Martin/Boeing F-22 Raptor stealth jets on the tarmac ready for 2012 Fleet Week Air Show - Jon Hammond http://en.wikipedia.org/wiki/F-22_Raptor single-seat, twin-engine fifth-generation supermaneuverable fighter aircraft that uses stealth technology. It was designed primarily as an air superiority fighter, but has additional capabilities that include ground attack, electronic warfare, and signals intelligence roles.[5] Lockheed Martin Aeronautics is t...See More — at San Francisco International Airport (SFO) SFO -- After a weather delay due to fog, The Blue Angels are ready for take off! Jon Hammond SFO -- Captain Joe Sobczak has the hammer down taking off for 2012 Fleet Week Air Show with United 747 Jumbo Jet, I just caught him there with the Coast Guard helicopter sighted from the tarmac. Always a highlight of the show for me, Jon Hammond — at San Francisco International Airport (SFO) Even The Imperial Storm Troopers get hungry! Jon Hammond Tribute to 9/11, Get Back in The Groove, America's Pride, Blue Angels, Jon Hammond, Soul Music, Local 802, Musicians Union

Visit with Berklee's Innovation Strategy and Technology VP David Mash

*WATCH THE VIDEO HERE: Visit with Berklee's Innovation Strategy and Technology VP David Mash Jon's archive http://archive.org/details/InnovationStrategyAndTechnologyVPDavidMashHD720p Jon Hammond's Visit with Berklee's Innovation Strategy and Technology VP David Mash in the Corporate Offices of Berklee College of Music Boston MA, kicking off Fall Semester of 2013 http://www.berklee.edu/ Check out David's site http://mashine.com/Mashine/David_Mash.html David Mash is Senior Vice President for Innovation, Strategy, and Technology at Berklee College of Music in Boston, Massachusetts, the world's leading institute of contemporary music. In previous roles at Berklee, David was the founding chair of the Music Synthesis Department, the first degree program in MIDI and music synthesis in the United States, now internationally recognized as the premier music technology program of its kind; as Assistant Dean of Curriculum for Academic Technology, David developed the Center for Technology in Music Instruction - a development center for supporting faculty's use of technology in their teaching, and helped design the Berklee Learning Center - the largest networked music learning facility in the country. The unique facilities for teaching David has designed have served as a model for interactive teaching environments at many major colleges and universities. From 1996 - 2005 David was Vice President for Information Technology, and was charged with the successful integration of technology into all college processes. In 2005, as Vice President fro Technology and Education Outreach, he began working to expand Berklee's City Music program into a national initiative through the Berklee City Music Network, which is now providing after-school music programs at no cost to middle- and high-school teens from underserved communities at 32 sites across the country. In order to provide access to excellent curriculum and learning materials, he helped to build the Berklee PULSE music method. Most recently, David led the development of a new online learning platform for enrolled students at Berklee called InsideBerklee. As a leading authority on music technology and education, David Mash has been featured on national and international media broadcasts such as 3-2-1-Contact, Newton's Apple, World Monitor, CBS Evening News, All Things Considered and Voice of America. He has also been featured on Apple Computer's video Macintosh, Music, and MIDI - The Open Door as well as BMG Victor's video Macintosh Music Bible Video - Volume 1 . He has been a pioneer in music and multimedia and composed the score for the digital movie Maria Lionza that won the 1992 International QuickTime Movie Festival award for best documentary, and is available on CD-ROM from Sumeria QuickTime: The CD 1992. He was affiliated with the Kodak Center for Creative Imaging in Camden, Maine, and taught the first music and multimedia courses offered at the center. David has collaborated on development and artistic projects with leaders in the multimedia and music industries such as Kodak, Adobe Systems, Digidesign, Opcode, and Korg and has consulted on product development for many manufacturers of music technology products. Rolling Stone magazine has called David "the industry's leading evangelist for the marriage of music and technology." David was named an AppleMaster by Apple Computer for his contributions to the fields of music, technology, and education. David is past International Chair for Electronic Music for the International Association of Jazz Educators, and maintains an active schedule as speaker and presenter at national and international clinics and workshops on art, technology, and education. He has also been the recipient of grants, fellowships, and awards including a finishing grant from Apple Computer, the Arts Partnership grant for Composition/Performance, and Jazz Composition Fellowship from the Mass Council on the Arts and Humanities. David's publications include • Musicians and the Internet, Warner Brothers • Musicians and Computers, Warner Brothers • Musicians and Multimedia, Warner Brothers • Musicians and Computers Interactive, Warner Brothers • Macintosh Multimedia Machine, Sybex • Computers and the Music Educator, Warner Brothers • "Guide to Instructional Computing"; National Association of Jazz Educators • "Digital Music Workstations as Creative Classroom Tools"; National Association of Jazz Educators • "Future Class"; Berklee Today • "Kurzweil 250 User's Guide"; Kurzweil Music Systems • "Technology for Teaching: Software, Synthesizers, and Sound Design"; Music Educators Journal Hammond and Mash at Frankfurt Musikmesse Hammond and Mash at NAMM Show Recent Berklee Alumni Dinner, San Francisco California - Berklee's Beverly Tryon on in foreground Blip TV http://blip.tv/jon-hammond/visit-with-berklee-s-innovation-strategy-and-technology-vp-david-mash-6639066 Youtube http://youtu.be/rVUvButN9Ak 2 Detroiters: David Mash Dean of Technology Berklee College of Music here in his office with Larry Fredson, photo by Jon Hammond *Note: David did the deal with Apple to make Apple Mac Powerbooks standard for Berklee curriculum, and passed out 2,000 Apple Powerbooks to kick it off http://laterent.blogspot.com/ Jon Hammond 1974 Berklee — with David Mash at Berklee Film Scoring Berklee College of Music, Innovation, Strategy, Technology, Jazz, Rock, Blues, David Mash, Boston, Jon Hammond, Musikmesse, NAMM, Apple Computers, Local 802, Musicians Union