*WATCH THE MOVIE HERE: FUNKY HEADPHONE
Jon's archive https://archive.org/details/HEADPHONEPodcastMeetinghouseJazzOrchestraSession
Bullet Point Recap 2015 kicking off 2016 - Jon Hammond #BulletPoint
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Superlux, Meetinghouse Jazz Orchestra, Todd Anderson, Bob Rosen, Jon Hammond, Horn Section, Funky Jazz, Friends Seminary, #HammondOrgan #HeadPhones
Photo courtesy of Elmar Lemes ©Elmar Lemes #ElmarLemes
"Head Phone" was written by organist Jon Hammond and Arranged by Todd Anderson - Podcast of Session with Meetinghouse Jazz Orchestra from the inner sanctum of Friends Seminary, 230 year old school K-12 on Manhattan's East Side - Bob Rosen presiding over the Music Department. On guitar David Acker, drums Mike Campenni, Greg Ruvolo trumpet, Jim Piela saxophone, Pat Hall, Art Baron, Alfredo Marques trombones, Charles Lee alto, more names coming! ©JON HAMMOND International ASCAP http://www.HammondCast.com
- Associated Musicians of Greater New York, Local 802 AFM - AFM Local 6 - TV Producers of Manhattan Neighborhood Network [MNN] Manhattan Neighborhood Network
Producer Jon Hammond
Bullet Point: Programm 2015 “Organ meets Bigband” feat. Jon Hammond (organ) das LaJazzO MV
Aktuelle Termine http://www.landesmusikrat-mv.de/projekte/ensembles/ljjo/termine.php
Sommerarbeitsphase 26.07. – 02.08.2015 Klanghaus
Projektleitung: Christine Unger & Franziska Maczkowicz
künstlerische Leitung: Michael Leuschner, Hamburg - foto Tini Unger
Saxophonsection: Edgar Herzog, Hamburg - foto Hendryk Wörlitz
Posaunensection: Andreas Barkhoff, Hannover
Rhythmussection: Lorenz Bösche, Hamburg
Trompetensection: Bob Lanese, Hamburg
"Wir danken der Firma 4 Heads aus Berlin für die finanzielle Unterstützung der Probenphase."
3.07.2015 Eldenaer Jazz Evenings „Von Coleman Hawkins bis Michael Brecker“ feat. Lutz Büchner, sax
30.07.2015 Zeughaus Wismar „Organ meets Bigband“ feat. Jon Hammond
31.07.2015 Burg Penzlin im Rahmen der Festspiele M-V „Organ meets Bigband“ feat. Jon Hammond
01.08.2015 Inselfest Poel „Organ meets Bigband“ feat. Jon Hammond
01.08.2015 Rostock Klostergarten „Organ meets Bigband“ feat. Jon Hammond
“Organ meets Bigband” feat. Jon Hammond (organ)
Nachdem sich in den vergangenen Jahren das LaJazzO MV mit den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel "Organ meets Big Band" wird dieses sehr traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken.
Jon Hammond studierte in den siebzieger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada. In seiner eigenen 'Jon Hammond Show' spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse mitgewirkt und tritt vornehmlich in Hamburg auf. "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith.
(aus dem Archiv der NDR Bigband)
The Sermon by Jimmy Smith, arr. Steve Grey
Back at the Chicken Shack by Jimmy Smith, arr. Steve Grey
Things ain’t what they used to be by Mercer Ellington, arr. Steve Grey
Walk on the Wild Side by Elmar Bernstein, arr. Steve Grey
Satin Doll by Duke Ellington/Billy Strayhorn, arr. Steve Grey
All the Things you are by Jerome Kern, arr. Stan Kenton
Always and Forever by Pat Metheny, arr. Bob Curnow
Boulder Buff by F. Normann / Eugene Novello
Breakthrough by John Fedchock
Critic’s Choice by Oliver Nelson
Here comes Julian by Heiner Wiberny, arr. Peter Herbolzheimer
Incredible Journey by Bob Mintzer
Stella by Starlight by Ned Washington/Victor Young, arr. Bill Holman
Tow away zone by Thad Jones, arr. Mike Carubia
You go to my head by Gillespie/Coots, arr. Bill Holman
Jon's archive https://archive.org/details/OrganMeetsBigbandFeat.JonHammondInAlteBurgPenzlin
AFM Local 6 Member Profile JON HAMMOND: "WHERE'S THE GIG?"
-- by ALEX WALSH
Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.
THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”
“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”
Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”
In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”
Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”
Jon in the early 70s
Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”
When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”
In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.
The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.
Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond
n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”
Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”
In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”
Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”
Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.
In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”
Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”
Jon has released four CDs
Jon Hammond Entertaining on Excelsior Accordion in Bernal Heights SF Neighborhood Center -- photo by Cheryl Fippen Local 6
For more info visit www.jonhammondband.com
On this Happy New Year Day 3 years ago!
- Jon Hammond
I'm totally psyched to kick off 2016 with real nice new Sennheiser Momentum model 505795 headphones! They are on the way from B&H Photo Video Pro Audio, stand by for the big unboxing folks! With in-line mic and remote button iOS / mobile devices
- Jon Hammond - Sennheiser
Jon's archive http://kyouradio.org/music-32.html
KYOU Radio Dot Org
This episode of HammondCast on KYOU 1550 AM Radio features some historic recordings of Jon Hammond with radio & tv legend AL "JAZZBEAUX" COLLINS, this will blow your socks off! Al does a complete recitation of his Hipster version of "Little Red Ridinghood" accompanied by Jon on the Hammond organ live. Also radio host CHRIS CORTEZ talking about how Jon and Jazzbeaux almost blew up the transmitter for the radio station by plugging the Hammond organ directly in as a late-night experiment on the Bay Area station...wooops! All worked out ok, but the Chief Engineer and Station Manager were a little bit upset the next day...
Chris Cortez and Jon Hammond in KCSM where they did the historic broadcast with Al Jazzbo Collins some years before
Al Jazzbeaux Collins aka Al Jazzbo Collins on the air at KCSM Jazz 91
Happy Birthday Jon Hammond's Annual musikmesse Warm Up Party Chocolate Chocolate Cake in the famous jazzkeller Frankfurt
Funky Headphone, Full Big Band, #BulletPoint #HammondOrgan #Vlog #CNNiReport
Labels: #BulletPoint #HammondOrgan #Vlog #CNNiReport, Full Big Band, Funky Headphone