Revisiting AFN Studios Frankfurt - Live Broadcast!
#WATCHMOVIE HERE: Revisiting AFN Studios Frankfurt - Live Broadcast!
Jon's archive https://archive.org/details/RevisitingAfnStudiosFrankfurt-LiveBroadcast
Youtube https://youtu.be/oPkK0oEfob8
Revisiting AFN Studios Frankfurt - Live Broadcast!
by Jon Hammond
Revisiting AFN Studios Frankfurt - Live Broadcast!
Remarkable film documents 3/17 1994 AFN POWERLITE Show live broadcast of Jon Hammond Band playing and talking on-air with host MARGIE GLAD 'The Voice of AFN Europe" 873 AM MW at that time. First-ever public performance of original composition "Nu Funk" ("Hip Hop Chitlins"). Joe Berger at the board - The broadcast was heard world-wide and recorded and later released on Jon Hammond's album "Late Rent". James Preston of band Sons of Champlin drums, Barry Finnerty guitar, Jon Hammond XB-2 organ/bass *Special thanks: Marietta Windhorst, Andrea English (Prdcr.), David Osterloh, Herb Glover my first AFN contact, thanks Herb!
AFN American Forces Network
Topics AFN Radio, TV, Broadcast, Studios, Frankfurt, Hammond organ, Drums, Guitar, American Forces Network
Color color
Identifier RevisitingAfnStudiosFrankfurt-LiveBroadcast
Run time 09:50
Sound sound
Jon Hammond, The Fillmore, Sons of Champlin, June 4 1999, #HammondOrgan #Trio #CNNiReport
Here I am in my dressing room at The Fillmore. if you look closely you can see the schedule says:
Jon Hammond 9 - 9:45PM
Sons of Champlin 10:15 - 12:15AM
Youtube: http://youtu.be/4oZ6D_T0YAU
Jon Hammond and The Late Rent Session Men (Trio) special edition opening for Sons of Champlin at Fillmore Auditorium
San Francisco June 4, 1999 original composition(s) Late Rent - Introduction to Pocket Funk Jon Hammond organ and bass, Barry Finnerty guitar, James Preston of Sons of Champlin band drums special thanks Bob Barsotti
© http://www.jonhammondband.com
The Fillmore https://en.wikipedia.org/wiki/The_Fillmore
"The Fillmore is a historic music venue in San Francisco, California, made famous by Bill Graham. Originally named the Majestic Hall, it became the "Fillmore Auditorium"[1] in 1954 when Charles Sullivan acquired the master lease from the building owner, Harry Shiffs, and renamed it for the neighborhood rather than its original location at the intersection of Fillmore Street and Geary Boulevard. It is situated in the historical center of the Western Addition neighborhood, on the edge of the Fillmore District and Upper Fillmore (lately known as Lower Pacific Heights). From the 1930s through the '60s, before redevelopment, this location was considered the heart of the San Francisco Fillmore District.
Graham also opened a Fillmore East in New York City in March, 1968. In July, 1968, he opened an additional venue in San Francisco under the same brand. Formerly known as The Carousel Ballroom at Market Street and South Van Ness Avenue, he called this the Fillmore West.
On May 27, 28 and 29, 1966, The Velvet Underground and Nico led by Lou Reed played the Fillmore Auditorium as part of Andy Warhol's Exploding Plastic Inevitable avant-garde, multimedia show premiered in New York City. Their light show engineer Danny Williams, who pioneered many of today's standard practices in rock music light shows, built a light system at the Fillmore that included stroboscopes, slides and film projections onstage. Conceived by Andy Warhol, Danny Williams and using some of film maker Jonas Mekas's ideas (Mekas pioneered film projections during concerts at The Cinematheque in New York), the show also included wild, free dancing both in the crowd and onstage. At Bill Graham's request Danny Williams soon came back to the Fillmore to build more. These innovations were to become part of the Fillmore Auditorium's prestige and image and were also used at the Fillmore East and Fillmore West venues, both opened in 1968.
In the mid-1960s, the Fillmore Auditorium became the focal point for psychedelic music and counterculture in general, with such acts as The Grateful Dead, The Steve Miller Band, Jefferson Airplane, Quicksilver Messenger Service, The Doors, Jimi Hendrix Experience, The Byrds, Big Brother and the Holding Company, Santana, Frank Zappa's The Mothers of Invention, The Allman Brothers Band, Creedence Clearwater Revival, and British acts The Who, Cream, Led Zeppelin, and Pink Floyd all performing at the venue.[3] Besides rock, Graham also featured non-rock acts such as Lenny Bruce, Miles Davis, Rahsaan Roland Kirk, Charles Lloyd, Aretha Franklin, and Otis Redding as well as poetry readings. The Grateful Dead were regulars at The Fillmore, having played a total of 51 concerts from 1965 through 1969.
Also, B.B. King's well received performances at Fillmore Auditorium served to introduce many fans to the authentic sounds that had already inspired blues-rockers including Jimi Hendrix, Janis Joplin, and Bob Dylan. B.B. King subsequently became a counter-cultural icon appearing at many rock festivals.[4]
The venue had a legendary ambience as well as the stellar performances, often with swirling light-show projections, strobe lights and uninhibited dancing. The cultural impact of the Fillmore was very large. It is referenced by Hunter S. Thompson in Fear and Loathing in Las Vegas in a description of the counterculture of the 1960s in the San Francisco Bay area.
After two years at the Fillmore Auditorium, because of a deteriorating neighborhood and the modest capacity of the hall, Bill Graham opened another venue in July 1968 nearby at 10 South Van Ness Avenue, at the corner of Market Street which was renamed Fillmore West in contrast with Graham's Fillmore East auditorium in the East Village in New York City.
The Fillmore reopened under Graham's management in the mid-1980s, but it was damaged and closed by the Loma Prieta earthquake of October 1989. After Graham died in a helicopter crash in 1991, those close to him decided to carry out his final wish to retrofit and reopen the original Fillmore, which required much structural work. The Fillmore reopened on April 27, 1994, with the band The Smashing Pumpkins playing an unannounced surprise show, and Primus playing the first official reopening show the following night. The Fillmore has once again become a San Francisco hot spot with frequent shows. For a standard show, the capacity of the Fillmore is 1,199 guests.
Since 2007 The Fillmore is leased and operated by Live Nation.[7]
Live Nation has recently begun a campaign to expand the Fillmore "brand" by changing the names of a number of established clubs it owns around the U.S. This includes clubs in Denver, Detroit, the Fillmore at the TLA in Philadelphia, the Fillmore at Irving Plaza in New York City, and the Fillmore at the Jackie Gleason Theatre in Miami Beach, Florida. The Fillmore Charlotte opened in June 2009.[8] A Fillmore in the Washington, D.C., suburb of Silver Spring, Maryland, broke ground in 2010 and opened in late 2011.
The Fillmore is also well known for its psychedelic concert posters by artists who in the 1960s included Wes Wilson and Rick Griffin. Copies of the night's poster are given to fans free of charge as they exit selected, sold-out shows. A chronological collection of these posters is on display in the mezzanine level of the auditorium today.
Other traditions are carried on to this day at the Fillmore in San Francisco. One is a large tub of free apples for concert goers positioned near the entrance. Another is a "greeter" who welcomes each guest as they enter with: "Welcome to the Fillmore!"
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http://archive.org/details/JonHammondSTEPHEN_DOC_KUPKAonHammondCastShow
Jon Hammond with Tower of Power Co-Leader Stephen Doc Kupka
Youtube http://youtu.be/28irWU6A0dM
Stephen 'Doc' Kupka co-leader Baritone Saxophonist of Tower of Power and President of Strokeland Records interview with Jon Hammond of HammondCast Show KYOURADIO just prior to Tower of Power 40th Anniversary Fillmore Show in San Francisco. Doc and Jon speaking about the history of his career in TOP and writing with Frank Biner, Frank's last recordings on his album for Strokeland "Bumped Up to First Class", "Doc Goes Hollywood", memories of Bill Graham and much more
http://www.HammondCast.com
Day 1 Winter NAMM 2013
http://archive.org/details/JoeBergerNammOralHistoryInterviewUneditedLongVersionOfficial55
Youtube http://youtu.be/uFFMVHCkZ8w
Jon Hammond I'm real proud of you Joe! Everybody should watch / listen to this remarkable life story of the Berger-Meister - keep up the great work and Spirit Mr. Berger! See you soon and on the bandstand, Jon Hammond
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http://archive.org/details/JonHammondLongVersionJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011
Short version on NAMM Website:
http://www.namm.org/library/oral-history/jon-hammond
Published on Dec 27, 2012
Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians
Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.
Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a ... of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs) KYOURADIO.org
Youtube http://youtu.be/Faq_A58v4sE
AFN Radio, TV, Broadcast, Studios, Frankfurt, Hammond organ, Drums, Guitar, American Forces NetworkLabels: AFN Radio, American Forces Network, Broadcast, Drums, Frankfurt, Guitar, Hammond Organ, Studios, TV
posted by HAMMONDCAST @ 8:39 PM
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