HammondCast: Jon Hammond Movie PIA 747 Flight Deck to Pakistan American Friendship Day Star Spangled Banner

#WATCH MOVIE HERE: Jon Hammond Movie PIA 747 Flight Deck to Pakistan American Friendship Day Star Spangled Banner Jon's archive https://archive.org/details/JonHammondPIA747FlightDeckFootageofJonHammondTour_SingingofStarSpangledBanneratP_0 Views 1,698 #1698 Youtube https://youtu.be/G1-Nh_oteRs 11,745 views #11745 Personally shot film by Jon Hammond while on tour in Germany and in cockpit of PIA 747 Jumbo (Pakistan International Airlines) flying with Pakistani VIP's to New York for Pakistan - American Friendship Day Celebration with singing of our National Anthem "The Star Spangled Banner" and showing of patriotism that will touch your heart. This is a must-see. Look closely for quick cameo appearances of radio legend Al Jazzbeaux Collins and Ruth Messinger former Manhattan Borough President.

*Note: Jon Hammond would like to say a special thanks to Pakistan International Airlines Crew, Pakistan Minister of Culture/Poetess Kishwar Naheed, Remin Kart-A-Bag USA, FRAport, Pakistan American Friendship Commitee. Jon Hammond's is Host of daily radio program HammondCast Show on KYOURADIO KYCY 1550AM ©2009 http://www.jonhammondband.com/news.html by Jon Hammond Usage Attribution Topics Kishwar Naheed, Pakistan American Friendship, PIA 747 Flight Deck, Jon Hammond, HammondCast, Ruth Messinger, Jazzbeaux, Ambassador, KYOU Radio Producer Jon Hammond Audio/Visual sound, color Jon's archive https://archive.org/details/LeoFenderWithJonHammondAndJoeBerger Youtube https://youtu.be/Xgzz9pZMDUQ Frankfurt 1988 -- TWA Flight with Leo Fender, Phyllis Fender, Joe Berger, Jon Hammond - Leo's long-time business partner Dale Hyatt and Richard Nixon's lighter! - Happy Birthday Leo Fender August 10th! - Jon Hammond Band Coming back from musikmesse in March of 1988

- http://www.HammondCast.com Facebook video https://www.facebook.com/hammondcast/videos/10153646305977102/ TWA 747 Jumbo Jet, waiting to board for flight from Frankfurt to Kennedy Airport - March 1988 returning from Musikmesse

Leo Fender, Dale Hyatt, Phyllis Fender, Joe Berger, Jon Hammond, TWA Airlines, Frankfurt Musikmesse - Leo Fender's birthday today August 10th! Jon's archive https://archive.org/details/GetBackInTheGrooveJonHammondBandInJazzkeller_201604

by Jon Hammond Jon Hammond Band live in Jazzkeller celebrating 30 years musikmesse Warm Up Party - "Get Back in The Groove" - Peter Klohmann tenor saxo, Joe Berger guitar, Giovanni Totò Gulino drums, Jon Hammond at the Hammond Sk1 organ with many special friends in the house jonhammondband.com - video Tino Pavlis Producer Jon Hammond Language English Youtube https://youtu.be/Tm2ZFE5V4As Vimeo https://vimeo.com/164279506 Facebook video https://www.facebook.com/jonhammondband/videos/1271197279575733/

Getting ready for my 10th ASCAP "I Create Music" EXPO - Hollywood CA! Jon Hammond

#ASCAPExpo ASCAP Audio Portrait: Jon Hammond http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx Jon Hammond Late Rent Jon Hammond says "the fingers are the singers.'" The latest CD from this exceptional and soulful Hammond organist is the proof. "Late Rent" draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players. Jon Hammond Rent The Late Rent Story Swingin' Funky Jazz & Blues Two Hot Tracks Sonny's Advice 11th edition of the ASCAP "I Create Music" EXPO, April 28th - 30th, 2016 in Los Angeles at the Loews Hollywood Hotel American Association of Independent Music (A2IM) American Composers Forum (ACF) American Federation of Musicians (AFM) Association of Independent Music Publishers (AIMP) Berklee College of Music Alumni Association Berklee Online California Copyright Conference (CCC) Canadian Music Week Foreign Performing Rights Organizations (PRO) Girls Rock & Girls Rule GoGirlsMusic.com International Film Festival Summit (IFFS) International Music Festival Conference (IMFCON) International Songwriting Competition (ISC) Los Angeles Women in Music (LAWIM) Music Publishers Association (MPA) Nashville Songwriters Association International (NSAI) National Music Publishers Association (NMPA) New Music USA The Recording Academy (NARAS) Regional/State/Local Songwriter Associations SAG-AFTRA SOCAN Society of Composers and Lyricists (SCL) SongNet Songwriters Guild of America (SGA) Songwriters Hall of Fame (SHOF) Student/University Music Programs TAXI USA Songwriting Competition West Coast Songwriters

Jon's archive https://archive.org/details/6842260423 AFM Local 6 Member Jon Hammond https://afm6.org/member-profile/jon-hammond-wheres-the-gig/ JON HAMMOND: “WHERE’S THE GIG?” - Alex Walsh Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.” THE EARLY YEARS Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.” Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.” In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.” Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”

Jon in the early 70s Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.” When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.” LATE RENT In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”. The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.

Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.” LIVING ABROAD Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.” In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.” Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.” Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere. PRESENT DAY In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’” Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.” Jon has released four CDs

Jon's archive https://archive.org/details/LydiasTuneAusterJazzSeriesWithNDRHorns Lydia's Tune written by Mr. Hammond in Paris, first time in 1981 after flying there aboard Air France Concorde

- a bossa nova featuring the fine playing ofJoe Berger on guitar, Michael Leuschner trumpet, Fiete Felsch alto saxophone, Heinz Lichius drums and Jon Hammond at the Hammond Sk1 organ bass - special thanks to Nicolai Ditsch for operating the camera, Auster Bar Team Frank Blume & Torsten Wendt - support from Musik Rotthoff Hamburg long-time established music shop where The Beatles acquired their famous instruments - http://www.HammondCast.com/ Filmed in High Definition Jon's archive https://archive.org/details/LydiasTuneHeadPhoneLateRentJonHammondFunkUnitNissanStage480 Lydia's Tune Head Phone Late Rent Jon Hammond Funk Unit Nissan Stage 480 by Jon Hammond Youtube https://youtu.be/qKjYrk0fOFw Facebook video https://www.facebook.com/hammondcast/videos/10153615680412102/

Full HighDef But Web Friendly Movie: First song: Lydia’s Tune - Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville Music City Center, front line: Lee Oskar harmonica, Joe Berger guitar, Cord Martin tenor, Roland Barber trombone, Jon Hammond organ, Rhythm section Chuggy Carter congas & percussion, Louis Flip WInfield drums -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit Nashville Tennessee Nissan Stage Summer NAMM Show -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass Greg Herreman productions manager, Michael Apodaca & Alex Moore audio / Sound Image Nashville, Tennessee https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit - The NAMM Show Summer NAMM Show Nissan Stage - Jon Hammond Band — with Cord Martin, Lee Oskar, Joe Berger, Louis Flip Winfield, Roland Barber and Leslie J. Carter at The NAMM Show. - all compositions composed & published by JON HAMMOND International ASCAP #NAMMShow #SummerNAMM #FunkBand #HammondOrgan #Nissan #Nashville #NashvilleMusicCityCenter Producer Jon Hammond Language English

Jon's archive https://archive.org/details/2PMKickOffNissanStageSummerNAMMShow

2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center Roland Barber - trombone, trumpet, sea shell Cord Martin - tenor saxophone Chuggy Carter - percussion Louis Flip Winfield - drums Lee Oskar - harmonica Joe Berger - guitar Jon Hammond - organ + bass http://www.jonhammondband.com ‪#‎NAMMShow‬ ‪#‎SummerNAMM‬ ‪#‎NissanStage‬