Duo Session last night with great Richard Clements piano Jon Hammond at Organ 802 bandstand
Duo Session last night with great Richard Clements piano Jon Hammond at Organ 802 bandstand
Like magic every time - Richard Clements and Jon Hammond last night
Rudy Lawless (drums) and Jon Hammond
Bob Cunningham bass and Rich on congas
Mike Camoia tenor sax and Bob Cunningham bass
Rich on congas and Greg Bandy drums
Jon Hammond at 802 bandstand
*WATCH THE VIDEO HERE: Joe Franklin Jon Hammond Movie
http://archive.org/details/Jon_Hammond_Show_Podcast_HammondCast_wJOE_FRANKLIN
- cool jacket!
Manhattan by Night -- Louis Vuitton Store Window du jour - Jon Hammond
Louis' Yelp:
http://www.yelp.com/biz/louis-vuitton-new-york-2
and relaxation wear are made with soft, luxurious… read more »
44 reviews for Louis Vuitton
at the power corner of 57th St. and Fifth Avenue - Jon Hammond
Manhattan by Night -- Bulgari Store on Fifth Avenue - Jon Hammond
Bulgari Wiki http://en.wikipedia.org/wiki/Bulgari
Privately held società per azioni
Industry Luxury goods
Founded 1884
Founder(s) Sotirios Voulgaris
Headquarters Rome, Italy
Key people Paolo Bulgari (Chairman), Francesco Trapani (CEO)
Products Watches, jewellery, accessories, fragrances, cosmetics
Revenue €1.069 billion (2010)[1]
Operating income €85.3 million (2010)[1]
Profit €38.0 million (2010)[1]
Total assets €1.490 billion (end 2010)[1]
Total equity €934.0 million (end 2010)[1]
Owner(s) LVMH
Employees 3,815 (end 2010)[1]
Website bulgari.com
Milt's Wiki
http://en.wikipedia.org/wiki/Milt_Hinton
Milton John "Milt" Hinton (June 23, 1910 – December 19, 2000), "the dean of jazz bass players," was an American jazz double bassist and photographer. He was nicknamed "The Judge"
Hinton was born in Vicksburg, Mississippi, where he resided until age eleven when he moved to Chicago, Illinois. He attended Wendell Phillips High School and Crane Junior College. While attending these schools, he learned first to play the violin, and later bass horn, tuba, cello and the double bass. As a young violinist out of school, he found gainful employment as a bassist. He later recounted in interviews, released in 1990 on Old Man Time, how this prompted him to switch to double bass.
In the late 1920s and early 1930s, he worked as a freelance musician in Chicago. During this time, he worked with famous jazz musicians such as Jabbo Smith, Eddie South, and Art Tatum. In 1936, he joined a band led by Cab Calloway. Members of this band included Chu Berry, Cozy Cole, Dizzy Gillespie, Illinois Jacquet, Jonah Jones, Ike Quebec, Ben Webster, and Danny Barker.
Hinton possessed a formidable technique and was equally adept at bowing, pizzicato, and "slapping," a technique for which he became famous while playing with the big band of Cab Calloway from 1936 to 1951.[1] Unusually for a double bass player, Hinton was frequently given the spotlight by Calloway, taking virtuose bass solos in tunes like "Pluckin' the Bass."
Hinton played a rare Gofriller Double Bass during his latter career. The bass was in pieces in a cellar in Italy and a musical agent arranged the purchase from the family for Hinton. Hinton in his autobiography "Bass Line" described the tone as magnificent and said it was one of the reasons for his long success in the New York recording studios in the 1950s, and 1960s.
He later became a television staff musician, working regularly on shows by Jackie Gleason and later Dick Cavett.[1] His work can be heard on the Branford Marsalis album Trio Jeepy.
Hinton twice received awards from the National Endowment for the Arts for his work as a jazz educator: a music fellowship in 1977 and an NEA Jazz Master award in 1993.[2]
According to a search of The Jazz Discography, Hinton is the most-recorded jazz musician of all time, having appeared on 1,174 recording sessions.[3][4]
Also a fine photographer, Hinton documented many of the great jazz musicians via photographs he took over the course of his career.[5] Hinton was one of the best friends of jazz trumpeter Louis Armstrong.[citation needed]
Hinton died in Queens, New York City, New York at age 90.
Birth name Milton John Hilton
Born June 23, 1910
Vicksburg, Mississippi, United States
Died December 19, 2000 (aged 90)
Queens, New York, United States
Genres Traditional Jazz. Swing, Pop Music
Occupations Double bassist, Photographer
Instruments Double bass
Years active 80 years
Labels Various
Associated acts Jabbo Smith, Zutty Singleton, Art Tatum, Eddie South, Cab Calloway, Count Basie, Louis Armstrong, Dizzy Gillespie, Lionel Hampton, Benny Goodman, Clark Terry, Hank Jones, Branford Marsalis
Panama Francis Wiki
http://en.wikipedia.org/wiki/Panama_Francis
David "Panama" Francis (December 21, 1918, Miami, Florida – November 13, 2001, Orlando, Florida) was an American swing jazz drummer.
He began performing at the age of eight, and booked his first night club at the age of thirteen. His career took off after he moved to New York City in 1938. Early collaborations included Tab Smith, Billy Hick's Sizzling Six, the Roy Eldridge Orchestra, and six years with Lucky Millinder's Orchestra at Harlem's Savoy Ballroom.
Panama Francis spent five years recording and touring with Cab Calloway. He also played with Duke Ellington, Tommy Dorsey, Ray Conniff, and Sy Oliver, becoming a highly successful studio drummer. He recorded with John Lee Hooker, Eubie Blake, Ella Fitzgerald, Illinois Jacquet, Ray Charles, Mahalia Jackson and Big Joe Turner. As rhythm and blues and rock and roll went mainstream Francis became even more sought after. He drummed on the Elvis Presley demos, and he is featured on hits by the Four Seasons ("Big Girls Don't Cry" and "Walk Like a Man"), the Platters ("Only You", "The Great Pretender", "Smoke Gets in Your Eyes" and "My Prayer"), Bobby Darin ("Splish Splash"), Neil Sedaka ("Calendar Girl"), and Dion ("The Wanderer").
He drummed on "Prisoner of Love" for James Brown, "What a Difference a Day Makes" for Dinah Washington, "Drown in My Own Tears" for Ray Charles, and "Jim Dandy" for LaVern Baker. Many music reference books indicate that he also played drums on Bill Haley & His Comets' 1954 version of "Shake, Rattle and Roll", but producer Milt Gabler denied this; Francis is also believed to have played drums for at least one other Haley recording session in the mid-1960s. In 1979, Panama Francis reestablished the Savoy Sultans touring, recording several Grammy-nominated albums, and keeping residence at New York's prestigious Rainbow Room through the mid-1980s. He appeared in several films with Cab Calloway: Angel Heart, Lady Sings the Blues, The Learning Tree.
Francis received a Pioneer Award from the Rhythm and Blues Foundation in 1993 and was also inducted into the Smithsonian National Museum of American History. His drum sticks are on display at the Rock and Roll Hall of Fame.
— with Milt Hinton and Panama Francis at The New School for Jazz and Contemporary Music
Earle Warren - alto saxophone, Earle Ronald Warren, playing on May 7, 1990 in honor of Cab Calloway "Beacons In Jazz" Awards Concert - Jon Hammond
Earle's Wiki http://en.wikipedia.org/wiki/Earle_Warren
Earle Warren (July 1, 1914 – June 4, 1994) was an alto saxophonist and occasional singer with Count Basie.
He was born in Springfield, Ohio.
Warren played 1st (Lead) Alto Saxophone in the Basie orchestra throughout its formative years and its heyday, from 1937 to the end of the 1940s. After the break-up of Basie's 1940s band, in 1949, he worked with former Basie trumpeter, Buck Clayton.
Earle Warren also played some rock´n roll, working for Alan Freed in Alan Freed's Christmas Jubilee, December 1959, which was the very last big Alan Freed show before the payola scandal put an end to the legendary Freed's career. He also appeared in the 1970s jazz film of Count Basie and his band, Born to Swing.
In his later years, Warren performed often at the West End jazz club at 116th and Broadway in New York City, helming a band called The Countsmen, which also featured fellow former Basie-ite Dicky Wells on trombone and Peck Morrison on bass. He lived part of the time in Switzerland where he fathered a child in a May/September romance.
*Discography:
With Milt Jackson
Big Bags (Riverside, 1962)
With Teri Thornton
Devil May Care (Riverside, 1961)
With Milt Buckner
Send Me Softly (Capitol Records T938, 1957)
— with Earle Warren at The New School for Jazz and Contemporary Music.
The late great trumpet player Bobby Johnson from Erskine Hawkins and his Orchestra who played at the legendary Savoy Ballroom New York in the 40's, playing as Bill Cosby looks on, May 7, 1990
- Beacons in Jazz Concert honoring Cab Calloway - Jon Hammond — with Bill Cosby, Bill Cosby and Bill Cosby at The New School for Jazz and Contemporary Music.
The great jazz musician personality Tumpet / Flugel Horn player Clark Terry playing on the 1990 Beacons in Jazz Awards Concert honoring the late great Cab Calloway - Clark has had some serious health challenges recently. The last time I saw him he told me, "Hammond, you know what they call 'The Golden Years'...the Golden Years Suck!" one of my all-time favorite people in Jazz folks! Jon Hammond
Clark Terry Wiki
http://en.wikipedia.org/wiki/Clark_Terry
Clark Terry (born December 14, 1920)[1] is an American swing and bop trumpeter, a pioneer of the flugelhorn in jazz, educator, NEA Jazz Masters inductee, and recipient of the 2010 Grammy Lifetime Achievement Award. Only four other trumpet players in history have ever received the Grammy Lifetime Achievement Award: Louis Armstrong (Clark's old mentor), Miles Davis (whom Clark mentored), Dizzy Gillespie (who often described Clark as the greatest jazz trumpet player on earth) and Benny Carter. Clark Terry is one of the most prolific jazz musicians in history, having appeared on 905 known recording sessions, which makes him the most recorded trumpet player of all time. In comparison, Louis Armstrong performed on 620 sessions, Harry "Sweets" Edison on 563, and Dizzy Gillespie on 501.
He has played with Charlie Barnet (1947), Count Basie (1948–1951),[1] Duke Ellington (1951–1959)[1] and Quincy Jones (1960), and has recorded regularly both as a leader and sideman. In all, his career in jazz spans more than seventy years.
Terry was born in St. Louis, Missouri. He attended Vashon High School and began his professional career in the early 1940s playing, in local clubs. He served as a bandsman in the United States Navy during World War II.
Terry's years with Basie and Ellington in the late 1940s and 1950s established him as a world-class jazz artist. Blending the St. Louis tone with contemporary styles, Terry’s sound influenced a generation. During this period, he took part in many of Ellington's suites and acquired a reputation for his wide range of styles (from swing to hard bop), technical proficiency, and good humor. Terry exerted a positive influence on musicians like Miles Davis and Quincy Jones, both of whom acknowledge Clark's influence during the early stages of their careers. Terry had informally taught Davis while they were still in St Louis.
After leaving Ellington, Clark's international recognition soared when he accepted an offer from the National Broadcasting Company (NBC) to become its first African-American staff musician. He appeared for ten years on The Tonight Show as a member of The Tonight Show Band, first led by Skitch Henderson and later by Doc Severinsen, where his unique "mumbling" scat singing became famous when he scored a hit with "Mumbles." A persistent rumor is that Terry was a candidate to lead the band, but for racial skittishness on the part of NBC.
Terry continued to play with musicians such as J. J. Johnson and Oscar Peterson,[2] and led a group with Bob Brookmeyer that achieved popularity in the early 1960s. In the 1970s, Terry concentrated increasingly on the flugelhorn, which he plays with a full, ringing tone. In addition to his studio work and teaching at jazz workshops, Terry toured regularly in the 1980s with small groups (including Peterson's) and performed as the leader of his Big B-A-D Band (formed about 1970). After financial difficulties forced him to break up the Big B-A-D Band, he performed bands such as the Unifour Jazz Ensemble. His humor and command of jazz trumpet styles are apparent in his "dialogues" with himself, on different instruments or on the same instrument, muted and unmuted. He has occasionally performed solos on a trumpet or flugelhorn mouthpiece.
From the 1970s through the 1990s, Clark performed at Carnegie Hall, Town Hall, and Lincoln Center, toured with the Newport Jazz All Stars and Jazz at the Philharmonic, and he was featured with Skitch Henderson's New York Pops Orchestra. In 1998, Terry recorded George Gershwin's "Let's Call the Whole Thing Off" for the Red Hot Organization's compilation album Red Hot + Rhapsody, a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease. In 2001, he again recorded for the Red Hot Organization with artist Amel Larrieux for the compilation album Red Hot + Indigo, a tribute to Duke Ellington.
Prompted early in his career by Dr. Billy Taylor, Clark and Milt Hinton bought instruments for and gave instruction to young hopefuls which planted the seed that became Jazz Mobile in Harlem. This venture tugged at Clark's greatest love: involving youth in the perpetuation of jazz. Between global performances, Clark continues to share wholeheartedly his jazz expertise and encourage students, including up-and-coming young jazz trumpeter, Josh Shpak. Since 2000, Clark has hosted Clark Terry Jazz Festivals on land and sea, held his own jazz camps, and appeared in more than fifty jazz festivals on six continents.
His career as both leader and sideman with more than three hundred recordings demonstrates that he is one of the most prolific luminaries in jazz. Clark composed more than two hundred jazz songs and performed for seven U.S. Presidents.
He also has several recordings with major groups including the London Symphony Orchestra, the Dutch Metropole Orchestra, the Duke Ellington Orchestra and the Chicago Jazz Orchestra, hundreds of high school and college ensembles, his own duos, trios, quartets, quintets, sextets, octets, and two big bands: Clark Terry's Big Bad Band and Clark Terry's Young Titans of Jazz, with the likes of Branford Marsalis, Conrad Herwig, Brad Leali, Stephen Guerra, Adam Schroeder, Frank Greene and Tony Lujan. The Clark Terry Archive at William Paterson University in Wayne, New Jersey, contains instruments, tour posters, awards, original copies of over 70 big band arrangements, recordings and other memorabilia.
Terry was a long-time resident of Bayside, Queens, and Corona, Queens, New York.[3] He and his wife, Gwen, later moved to Haworth, New Jersey.[4] They currently reside in Pine Bluff, Arkansas.[5]
Born December 14, 1920 (age 92)
St. Louis, Missouri, United States
Genres Jazz, swing, bebop, hard bop
Occupations Trumpeter, flugelhornist, composer
Instruments Trumpet, flugelhorn
Years active 1940s–present
Labels Prestige, Pablo, Candid, Mainstream, Impulse!
Associated acts Charlie Barnet, Count Basie, Duke Ellington, Quincy Jones, Bob Brookmeyer, Oscar Peterson, Oliver Nelson, Milt Jackson, Dizzy Gillespie, Eddie "Lockjaw" Davis, Yusef Lateef, Clifford Brown, Blue Mitchell, Lalo Schifrin, Billy Taylor, Charles Mingus, J.J. Johnson
Awards and honors
Over 250 awards, medals and honors, including:
The 2010 Grammy Lifetime Achievement Award, two Grammy certificates, three Grammy nominations
The National Endowment for the Arts Jazz Master Award in 1991
Sixteen honorary doctorates
Keys to several cities
Jazz Ambassador for U.S. State Department tours in the Middle East and Africa
A knighthood in Germany
Charles E. Lutton Man of Music Award, presented by Phi Mu Alpha Sinfonia Fraternity in 1985. Terry was awareded honorary membership in the Fraternity by the Beta Zeta Chapter at the College of Emporia in 1968. He was also made an honorary member of the Iota Phi chapter of Kappa Kappa Psi, National Honorary Band Fraternity in 2011.
The French Order of Arts and Letters (2000)
A life-sized wax figure for the Black World History Museum in St. Louis
Inducted into the St. Louis Walk of Fame (1996)[6]
NARAS Present's Merit Award (2005)
Trumpeter of the Year by the Jazz Journalists Association (2005)
— with Clark Terry at The New School for Jazz and Contemporary Music.
Little Jimmy Scott takes the stage with the late great jazz pianist Red Richards at the piano - that's Phil Schaap clapping - part of a documentary film I made of May 7, 1990 Beacons in Jazz Awards Ceremony and Concert honoring Cab Calloway - more to come, special thanks Arnie Lawrence R.I.P. - Jon Hammond
Red Richards Wiki
http://en.wikipedia.org/wiki/Red_Richards
Charles Coleridge "Red" Richards (October 19, 1912, New York City - March 12, 1998, Scarsdale, New York) was an American jazz pianist.
Richards began playing classical piano at age ten, and concentrated on jazz from age 16 after hearing Fats Waller. His first major professional gig was with Tab Smith at New York's Savoy Ballroom from 1945 to 1949. following this he played with Bob Wilber (1950-51) and Sidney Bechet (1951). He toured Italy and France in 1953 with Mezz Mezzrow's band alongside Buck Clayton and Big Chief Moore, also accompanying Frank Sinatra during his time in Italy. He played with Muggsy Spanier on and off from 1953 through the end of the decade, and with Fletcher Henderson in 1957-58. In 1958 he did some time as a solo performer in Columbus, Ohio, then played with Wild Bill Davison in 1958-59 and again in 1962.
In 1960 he formed Saints & Sinners with Vic Dickenson, playing with this ensemble until 1970. He joined Jazz drummer Chuck Slate and his band in 1971 and stayed with him most of the year. He recorded an album with Chuck called "Bix 'N All That Jazz" Following this he did work with Eddie Condon (1975-77), then played with his own trio in 1977-78. He played with Panama Francis's group, the Savoy Sultans, worldwide from 1979 through the 1980s. He recorded with Bill Coleman in 1980. He continued to tour almost up until the time of his death.
Little Jimmy Scott Wiki
http://en.wikipedia.org/wiki/Little_Jimmy_Scott
Jimmy Scott (born July 17, 1925, also known as "Little" Jimmy Scott) is an American jazz vocalist famous for his unusually high contralto voice, which is due to Kallmann's syndrome, a very rare genetic condition. The condition stunted his growth at four feet eleven inches until, at age 37, he grew another 8 inches to the height of five feet seven inches. The condition prevented him from reaching puberty, leaving him with a high, undeveloped voice, hence his nickname "Little" Jimmy Scott.
Scott was born in Cleveland, Ohio to Authur and Justine Stanard Scott, the third in a family of ten. As a child Jimmy got his first singing experience by his mother's side at the family piano, and later, in church choir. At thirteen, he was orphaned when his mother was killed by a drunk driver.[2]
He first rose to national prominence as "Little Jimmy Scott" in the Lionel Hampton Band when he sang lead on the late 1940s hit "Everybody's Somebody's Fool", recorded in December 1949, and which became a top ten R&B hit in 1950.[2] Credit on the label, however, went to "Lionel Hampton and vocalists", so the singer's name did not appear on any of the songs. This omission of credit was not only a slight to Scott's talent but a big blow to his career. A similar professional insult occurred several years later when his vocal on "Embraceable You" with Charlie Parker, on the album One Night in Birdland, was credited to female vocalist Chubby Newsome.[3]
Lionel Hampton gave him the stage name of "Little Jimmy Scott" because he looked so young, and was short and of slight build. However, it was his extraordinary phrasing and romantic feeling that made him a favorite singer of fellow artists such as Billie Holiday, Ray Charles, Frankie Valli, Dinah Washington, and Nancy Wilson.[4]
In 1963, it looked as though Scott's luck had changed for the good. He was signed to Ray Charles' Tangerine Records label, under the supervision of Charles himself, creating what is considered by many to be one of the great jazz vocal albums of all time, Falling in Love is Wonderful.[5]
Owing to obligations on a contract that Scott had signed earlier with Herman Lubinsky, the record was yanked from the shelves in a matter of days, while Jimmy was honeymooning. Forty years later this cult album became available to the public again. Scott disputes the "lifetime" contract; Lubinsky loaned Jimmy out to Syd Nathan at King Records for 45 recordings in 1957–58. Another album, The Source (1969), was not released until 2001.[6]
Scott's career faded by the late 1960s and he returned to his native Cleveland to work as a hospital orderly, shipping clerk and as an elevator operator in a hotel.
[edit]Comeback and later work
Scott eventually resurfaced in 1991 when he sang at the funeral of his long-time friend Doc Pomus, an event that single-handedly sparked his career renaissance.[7] Afterwards Lou Reed recruited him to sing back-up on the track "Power and Glory" from his 1992 album Magic and Loss, which was inspired, to an extent, by Pomus's death. Scott was seen on the series finale of David Lynch's television series Twin Peaks, singing "Sycamore Trees", a song with lyrics by Lynch and music by Angelo Badalamenti. Scott was featured on the soundtrack of the follow-up film, Twin Peaks: Fire Walk with Me.[8]
Also in attendance at Pomus's funeral was Seymour Stein, founder and operator of Sire Records, who released Scott's 1992 album All The Way, produced by Tommy Lipuma and featuring artists such as Kenny Barron, Ron Carter, and David "Fathead" Newman. Scott was nominated for a Grammy Award for this album.[9]
He followed this up with the album Dream in 1994, the jazz-gospel album Heaven in 1996 and an album of pop and rock interpretations entitled "Holding Back the Years" in 1998, notable for its version of Prince's "Nothing Compares 2 U".
In 1999, Scott's early recordings on the Decca label were re-released on CD, as were all of his recordings with the Savoy Label between 1952 and 1975 in a three-disc box set. In 2000, Scott signed to the Milestone jazz label, and recorded four critically acclaimed albums, each produced by Todd Barkan, and featuring a variety of jazz artists, including Wynton Marsalis, Renee Rosnes, Bob Kindred, Eric Alexander, Lew Soloff, George Mraz, Lewis Nash, as well as Jimmy's own touring and recording band "The Jazz Expressions". He also released two live albums, both recorded in Japan, featuring the Jazz Expressions.
For some years a new album entitled I Remember You has been mentioned via various official channels, including Jimmy's official website; however, any solid news on the album's release date is yet to be revealed.
[edit]Legacy
Scott's career has spanned sixty-five years. He has performed with Charlie Parker, Sarah Vaughan, Lester Young, Lionel Hampton, Charles Mingus, Fats Navarro, Quincy Jones, Bud Powell, Ray Charles, Wynton Marsalis, and Peter Cincotti. He has also performed with a host of musicians from other genres of music, such as David Byrne, Lou Reed, Flea, Michael Stipe, and Antony & The Johnsons. Scott performed at President Dwight Eisenhower's (1953) and President Bill Clinton's (1993) inaugurations, where he sang the same song, "Why Was I Born?". Most recently Scott has appeared in live performances with Pink Martini, and continues to perform internationally at music festivals and at his own concerts.
In 2007, Scott received the 2007 NEA Jazz Master Award. Scott also received the Kennedy Center's "Jazz In Our Time" Living Legend Award, and N.A.B.O.B.'s Pioneer Award in 2007. In September 2008 he did a "two-day video interview" at his Vegas home with the "Smithsonian Institute for the National Archives". Scott and his wife Jeanie have been living in Las Vegas, Nevada since 2007, after living in Euclid, Ohio, for 10 years.[citation needed]
Little Jimmy Scott's "If I Ever Lost You" can be heard in the opening credits of the HBO movie Lackawanna Blues. He was also mentioned on The Cosby Show, when Clair and Cliff Huxtable bet on the year in which "An Evening In Paradise" was recorded
Albums
Very Truly Yours (Savoy) (1955)
If You Only Knew (Savoy) (1956)
The Fabulous Songs Of Jimmy Scott (Savoy) 1960)
Falling In Love Is Wonderful (Tangerine) (1963) (Re-issue 2003)
The Source (Atlantic) (1969) (Re-issue 2001)
Can't We Begin Again (Savoy) (1975)
Doesn't Love Mean More (J's Way) (1990)
Live In New Orleans (1951 Concert) (Fantasy) (1991)
All The Way (Sire) (1992)
Dream (Sire) (1994)
Heaven (Sire) (1996)
Holding Back The Years (Artists Only) (1998)
Mood Indigo (Milestone) (2000)
Over The Rainbow (Milestone) (2001)
Unchained Melody (Live Album) (Tokuma) (2001)
But Beautiful (Milestone) (2002)
Moonglow (Milestone) (2003)
All Of Me: Live In Tokyo (Venus) (2004)
[edit]Compilations
Lost And Found (Rhino) (1993)
Bravo Profiles: A Jazz Master (Bravo) (1993)
All Over Again (Savoy Jazz) (1995)
Everybody's Somebody's Fool (Universal) (1999)
The Savoy Years & More (Box Set) (Savoy Jazz) (1999)
Les Incontournables (Warner) (2000)
Timeless (Savoy Jazz) (2002)
Someone To Watch Over Me (2-Disc) (Warner) (2004)
The Essential Jimmy Scott (Metro) (2005)
Milestone Profiles: Jimmy Scott (Milestone) (2006)
[edit]Filmography
Twin Peaks – "Episode 29" (1991)
Scotch & Milk (1998)
Chelsea Walls (2002)
Stormy Weather: The Music of Harold Arlen (2002) (TV)
Jimmy Scott: If You Only Knew (DVD) (2003)
Passion Play (2011)
Rising Above the Blues - The Story of Jimmy Scott (2012)
— with Little Jimmy Scott
Manhattan by Night -- Jon Hammond standing waving in Times Square to the big screen, not too much action at this hour - JH
Times Square Wiki
Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York - and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap - an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends - then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass - horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd - many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax - graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played "You've Changed" joined by the all-star band and Little Jimmy Scott vocals - Bill Cosby hosted the entire night and participated in the music with gusto - incredible historic evening that I personally documented - the project is now back in-progress 23 years later, Jon Hammond — with Martin W. Mueller at The New School for Jazz and Contemporary Music.
New York NY -- My good friend Joe Franklin - King of Radio and TV - Production Assistant Needed, contact Mr. Hammond - Joe in his Midtown Manhattan Office affectionately known as "Memory Lane" - Jon Hammond
- played on the historic evening I documented at the request of the late great alto saxophonist Arnie Lawrence, also on-faculty and co-founder or The New School for Jazz and Contemporary Music - this was the evening Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York - and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap - an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends - then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass - horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd - many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax - graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played "You've Changed" joined by the all-star band and Little Jimmy Scott vocals - Bill Cosby hosted the entire night and participated in the music with gusto - incredible historic evening that I personally documented - the project is now back in-progress 23 years later, Jon Hammond *special thanks Martin W. Mueller - Exec. Director The New School for Jazz and Contemporary Music, Arnie Lawrence R.I.P.
*Junior Mance Wiki: http://en.wikipedia.org/wiki/Junior_Mance
Julian Clifford Mance, Jr. (known as Junior Mance, born 10 October 1928, Evanston, Illinois) is an American jazz pianist and composer.
Junior Mance began playing the piano at the age of five, but did not begin formal training until the age of eight. He started playing professionally during his early teens. He attended Roosevelt College in Chicago as a music major.
In 1947 Mance left Roosevelt College to join Gene Ammons' band and began his recording career with Gene. He joined Lester Young in 1949 for almost two years, and rejoined Ammons several months in 1951 before being drafted into the U. S. Army. He served in the 36th Army Band at Fort Knox, Kentucky along with Julian "Cannonball" Adderley.
After his discharge from the Army in 1953, he became part of the house rhythm section at the Bee Hive Jazz Club in Chicago for a year, and accompanied musicians such as Charlie Parker, Coleman Hawkins, Eddie "Lockjaw" Davis, Sonny Stitt, and many others.
In 1954 Mance joined and toured with Dinah Washington. Among the numerous recordings he made with her, there are two that really stand out in his memory: Dinah Jams and Jam Session. They are two live albums also featuring Clifford Brown, Max Roach, Clark Terry, Maynard Ferguson, Herb Geller, Harold Land, Keter Betts, George Morrow, Richie Powell.
In 1956 he reunited with Cannonball Adderley, becoming a member of Cannonball's first organized working band. The band did a series of recordings on Mercury Records.
Junior joined Dizzy Gillespie's band in 1958, a period Junior considers one of the highlights of his career. Besides the joy and fun of playing with Dizzy, he remembers this period as a great learning experience in musicianship, showmanship, and just about everything related to the business of music.
In 1961 Junior decided to form his own trio, following the release of his first recording as a leader. (Junior, Verve Records) In between gigs with his trio, with bassist Ben Tucker and Bobby Thomas on drums, he played and recorded with the Eddie "Lockjaw" Davis/Johnny Griffin Quintet. With his trio he also accompanied singer Joe Williams in 1963/64.
In 1988 Junior became a member of the faculty at The New School for Jazz and Contemporary Music in New York City. He teaches classes in Blues, Ballads, and also private lessons.
During the 1990s Junior has been part of a very elite group called "100 Gold Fingers". This is a group which tours Japan every other year, consisting of ten outstanding jazz pianists. On various tours the group has included people such as Hank Jones, John Lewis, Tommy Flanagan, Kenny Barron, Ray Bryant, Roger Kellaway, Gene Harris, Marian McPartland, Barry Harris, Toshiko Akiyoshi, Lynne Arriale, Cyrus Chestnut, Benny Green, Duke Jordan, Joanne Brackeen, Monty Alexander, Dave McKenna, Renee Rosnes, Mulgrew Miller, Harold Mabern as well as Junior and a rhythm section consisting of bassist Bob Cranshaw and either Alan Dawson or Grady Tate on drums.
On November 21, 1997, at Tampa, Florida, Junior was inducted into the International Jazz Hall of Fame, an honor Junior is extremely proud of, being in the elite company of many of his heroes, both past and present.
Mance made his solo piano debut at Lincoln Center at the Kaplan Penthouse on October 5–7 of 2000.
The Junior Mance Trio (Jackie Williams, Hide Tanaka, and guest vocalist José James) released their first CD, Live At Cafe Loup, in 2007. Junior is still very active in NYC, Japan, and all over the world. — with Junior Mance at The New School for Jazz and Contemporary Music
Bernard "Pretty" Purdie tuxedoed at the drums
Josh Lief
Senior Assistant Attorney General and Section Chief at Office of the Attorney General - Commowealth of Virginia
Daniel Rogue
Le Lude, Pays De La Loire, France
Rick Sankey
Chicago Music
Ted Stilles
Montclair High School
Joe Berger
King at Self employed
Marc Perez
Teruo Goto
Works at Dirty old Musician.
Brian Banks
Malverne, New York
John Carlini
Berklee College of Music
James E. White
Largo, Florida
Eddie Bimonte
Owner at Eddie's Pet Service
Mike S. Wartell
Photographer at Wartell Photography
Rainey Kato
Meguro-ku, Tokyo, Japan
Chris Foster
Land O' Lakes, Florida
Robert Higgins
Asbury Park High School
Robbie Furlong
Holland Park High School
Scott Smith
Drummer at Playing Drums in Church
Bikki Johnson
Jeffrey Campbell
North Syracuse High School
RichmondMusic Page
Works at Richmond Music Center
Joanne Ruocco
Dean Kurtz
Fullerton College
Tony Santos
Paul Condon
Yutaka Sugiura
Jesse Kanner
CEO & Founder at Login Media
Toussaint Thompson
Facillitator at MDCPS
Martina Mummi
Alphonza Kee Sr Page II
Shaw University
Fedj Sylvanus
Live Sound Engineer at The palace
Giovanni de Liguori
Rolling Stones Sticky Fingers
Neal Grover
Kingston, New York
Tomoya Sugimori
Works at Nihon University 日本大学
Jeff Schneider
Oscar Vildosola
Mark Keppel High
Eliabe Acácio
Works at BRF Brasil Foods S/A ( Perdigão, Sadia, Batavo e Elegê )
Glyn Jones
University of Life
Jimi D'Andrea
Tim Watson
Works at Self Employed and Loving It!
Brian Knight
Arthur Regis
Trinity College Of Music, London
Robert McNamara
J.P. Stevens High School
Vinny Nicosia
Gene Zwicharowski
Superintendent Underground Div./ Drummer Pocket Ful of Soul at C.j.fucci construction
Decco Takano
Meijo University
Jack Bonacorso
Cardinal Spellman High School
Phil Bennett
Honolulu, Hawaii
Ajit Betageri
University of British Columbia
Paul Campanella Jr.
Las Vegas, Nevada
John Ratso Gerardi
CEO & Founder at Lenox Sound Recording Studio
Bobby Cattrano
State University of New York at Farmingdale
Cleve Warren
Oklahoma City University
Bruce Pollack
Part Time Drummer at Musician
Tim Adger
Aaron Comess
The New School for Jazz and Contemporary Music
Malcolm Lukens
L.A. Valley College
Gene Kelly
Co Owner at Kelly's Gingernut Pub
Lorraine Imbriano Jackson
Bobpat Hern
Mike O'Keeffe
Robyn Curleighhead
Michael Anderson
Lawrenceville, New Jersey
Giannis Giannakopoulos
Sean Walker
University of the Arts
John Diss
Jody Cortez
Los Angeles Valley College
Andrei Bourtsev
Chris Remediani
Vocalist/Guitarist at The 70's Project
Celia Thompson
Staten Island, New York
Yuko Doi
Artist at ボーグミュージック
Andy Urquhart
Wimborne, Dorset, United Kingdom
Seigo Sato
代表取締役社長 at 株式会社トーシン
Greg Dwinell
Works at Musician, Orange Sound, Audio Museum of Science Inc
Daniel Jacoubovitch
Fred Taylor
Worked nationwde as drummer/percussionist/arranger/producer/audio engineer at Self-employed drummer, composer, producer.
Bart Spits
Works at Diverse Muziek
Jack McKeever
Works at The Maid's Room
-- 4th Beacons in Jazz Awards Ceremony & Concert May 7, 1990 in the little theatre on 13th St., Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York - and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap - an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends - then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass - horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd - many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax - graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played "You've Changed" joined by the all-star band and Little Jimmy Scott vocals - Bill Cosby hosted the entire night and participated in the music with gusto - incredible historic evening that I personally documented - the project is now back in-progress 23 years later, Jon Hammond — with Bernard Purdie and Bernard Purdie at The New School for Jazz and Contemporary Music
New York NY -- Martin W. Mueller Executive Director of The New School for Jazz and Contemporary Music program last night - 2 images with special jazz friends of mine also, first image with Howard Mandel - President of Jazz Journalists Association, Author, Producer/Host on NPR Radio & Professor at NYU -
- this was just before joining a host of legendary musicians and the first graduating class of The New School for Jazz and Contemporary Music in the little theatre on 13th St., Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York - and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap - an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends - then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass - horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd - many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax - graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played "You've Changed" joined by the all-star band and Little Jimmy Scott vocals - Bill Cosby hosted the entire night and participated in the music with gusto - incredible historic evening that I personally documented - the project is now back in-progress 23 years later, Jon Hammond — with Bill Cosby, Bill Cosby, Cab Calloway, Little Jimmy Scott and Joe Williams
Beacons in Jazz, Cab Calloway, Bernard Purdie, Martin W. Mueller, Parsons New School, Jon Hammond, Bill Cosby, Mayor David Dinkins, Jazzkeller, Musikmesse, Local 802, Musicians Union
*WATCH THE VIDEO HERE: US Army Blues Pershing's Own Precious Lord Take My Hand at JEN 2013 Atlanta
http://archive.org/details/JonHammondUSArmyBluesPershing_sOwnPreciousLordTakeMyHandatJEN2013AtlantaGA/
Youtube http://youtu.be/X3zD331SWi0
Atlanta GA -- A very special performance by US Army Blues Pershing's Own Jazz Band at the JEN Jazz Education Network Conference 2013. A wonderful arrangement by SFC Graham Breedlove - Trumpet Chair of this fine ensemble. You can actually see and read down SFC Graham Breedlove's trumpet part online - for PDF of his music:
http://www.usarmyband.com/recording_notes/pdf/blues-something-old/precious-lord-score-and-parts/precious-lord-trumpet-1.pdf
Director Conductor: Chief Warrant Officer Four Gordon K. Kippola
video by Jon Hammond at evening concert Jazz Education Network Conference in the ballroom of Hyatt Regency Atlanta GA. Special thanks to these fine musicians and Mary Jo Papich
**Really great solos from SSG Victor Barranco trombone and SFC Graham Breedlove trumpet - JH
THE U.S. ARMY BLUES PERSONNEL ROSTER
CW4 Gordon K. Kippola, Seabeck, WA, DIRECTOR
The U.S. Army Blues
SAXOPHONE
SFC Antonio L. Orta, Guanica, PR
SFC Bill E. Linney, Buies Creek, NC
SFC Joseph D. Henson, Rock Hill, SC
MSG John W. DeSalme, Iowa City, IA *
MSG David T. Brown, Ballston Lake, NY
TRUMPET
SFC Mark A. Wood, Gainesville, FL
SFC Kenneth W. McGee, Stafford, VA
SFC Graham E. Breedlove, Lafayette, LA ‡‡
SGM Craig C. Fraedrich, Menomonee Falls, WI ††
MSG Kenneth R. Rittenhouse, Fairmont, WV *
TROMBONE
MSG Matthew F. Niess, Levittown, PA
MSG William L. Holmes, Philadelphia, PA *
SSG Victor Barranco, North Pole, AK
SFC Jeffrey J. Cortazzo, Palmerton, PA ‡‡
PIANO
SGM Anthony W. Nalker, Lewisburg, WV †
GUITAR
SGM James F. Roberts, Washington, DC ‡
BASS
SSG Regan Brough, Orem, UT
DRUMS
MSG Steve Fidyk, Wilkes-Barre, PA
Atlanta GA -- CNN Center as seen from 60 floors up - Jon Hammond
http://en.wikipedia.org/wiki/CNN_Center
The CNN Center is the world headquarters of the Cable News Network (CNN). The main newsrooms and studios for several of CNN's news channels are located in the building. The facility's commercial office space is occupied entirely by CNN and its parent company, Turner Broadcasting System, a division of Time Warner. The CNN Center is located in Downtown Atlanta, Georgia, adjacent to Centennial Olympic Park.
The CNN Center opened in 1976 as the Omni Hotel, which was a development by Cousins Properties Inc. as that was unsuccessful until CNN moved its headquarters there in 1987 from its Midtown Atlanta site (old home of the Progressive Club on 1050 Techwood Drive and home to Turner Broadcasting System).[1] The facility originally offered office space to various business tenants, as well as consulates over the years. The main floor featured an indoor ice skating rink, as well as a small number of restaurants and a Gold Mine video arcade. More famously, Sid and Marty Krofft built an indoor amusement park called The World of Sid and Marty Krofft, inspired by the creations of the popular children's television producers. The park was the first indoor theme park and opened in 1976, it closed within six months. The complex also featured a multi-screen movie theater. For years, the theater offered showings of Gone with the Wind, Ted Turner's favorite movie. The theater was replaced during renovations to put in a new newsroom for CNN's website operations. The ice skating rink was filled in and a mosaic map of the world replaced it (featuring brass markers indicating the locations of CNN bureaus around the world). When CNN networks moved in in 1987, CNN Headline News (now known as HLN) was the first network to broadcast a show from it at 3.00 ET with its program # 96,115. Their sister channel started live programming at 6.00 ET of that day.
Debris from tornado in front of CNN Center
On March 14, 2008, a EF-2 [2] tornado passed through downtown Atlanta, damaging the CNN Center and leaving water and dust in the upper floors. The ceiling of the atrium was also damaged, causing water to pour in and partially flood the food court. CNN's library was damaged, although it is unknown at the moment how much of its archives were damaged.[3] Numerous injuries and widespread damage were reported overall. The Omni Hotel, attached to the CNN Center, was evacuated as a precaution, and more than 400 rooms had to be emptied of occupancy for two weeks.
Atlanta GA from 60 floors up - Atlanta is the official capital of Georgia and is a city of Skyscrapers - Jon Hammond from 60 floors above Atlanta
- Atlanta GA - Jon Hammond
This is a priceless photo: Gary Campbell great tenor saxophonist, composer, bandleader, educator
http://www.garycampbelljazz.com/ receiving a visit from his teacher - Dr. David N. Baker http://www.davidbakermusic.org/ past president of IAJE, author, world renowned musician educator - at 4th annual JEN Jazz Education Network Conference Atlanta GA after Gary's quartet concert which was superb! Jon Hammond — at Hyatt Regency Atlanta
Jon Hammond with Javon Jackson Donald Meade Jazz Historian, Joe Chambers, Martin W. Mueller Exec. Director New School Contemporary Jazz Program
- Jon Hammond — with Martin W. Mueller and Alex Graham at Hyatt Regency Atlanta
Benjamin Toman
Cynthia Cawthorne
Graceland University
Jessica McAuliffe Graham
Boston, Massachusetts
Dixie Thompson
Pensacola, Florida
Bob Hull
Attorney at Law at Lewitt Hackman
Andrew Nichols
Musician/Private Woodwinds Instructor at Myself
Kimberly Lotoszinski Turrell
East Lansing, Michigan
Valerie Porter
Homemaker at None :)
Bill Liebold
Monika Ryan
Steve Urick
Shizuoka-shi, Shizuoka, Japan
Leron Thomas
The New School for Jazz and Contemporary Music
George D. Goodman
Eastern Michigan University
Steven Oberndorf
Counsel at McKay Hochman Company, Inc.
Paul Jobin
Financial Advisor at MassMutual
Gene Perry
Northern Michigan University
Jon Hammond with the great Wycliffe Gordon playing his famous soprano trombone - incredible and super-soulful musician & vocalist / composer arranger folks! *Feature performer with US Army Blues "Pershing's Own" Jazz Orchestra at 4th annual JEN Jazz Education Network Conference - Atlanta GA , bravo Wycliffe!!
- JH — with Wycliffe Gordon at Hyatt Regency Atlanta
Blues Brothers from Different Mothers - Tom Bones Malone and Jon Hammond at 4th annual JEN Jazz Education Network Conference - Atlanta GA *video of Tom's concert to come..
Tom interview with Jon backstage Ed Sullivan Theatre:
Youtube http://youtu.be/bxLx2tXAAZw
Tom Bones Malone of Paul Shaffer and the CBS Orchestra Late Show with David Letterman on HammondCast Show KYOURADIO interview with Jon Hammond and Tom, covering his entire career including 10 years with Saturday Night Live as Musician and Music Director. Long time association with Gil Evans, Doc Severensen, featured in movie "Blues Brothers" and tours. Arranger, multi-instrumentalist speaking with Jon just prior to daily taping of Late Show in the Ed Sullivan Theater dressing rooms.
— with Tom Bones Malone and Tom 'Bones' Malone at Hyatt Regency Atlanta
*WATCH THE VIDEO HERE: Bob Cranshaw Interview with Jon Hammond at JEN 2013
http://archive.org/details/BobCranshawInterviewWithJonHammondAtJen2013
Youtube http://youtu.be/ckhvUE4Pis4
Bob Cranshaw the great Jazz bassist, recording artist, educator and Local 802 Jazz Consultant Executive Board Member here interviewed by Jon Hammond at the 2013 JEN Jazz Education Network Conference in Atlanta GA. Bob tells an incredible story about the recording date with Lee Morgan on the classic album The Sidewinder.
Bob Cranshaw Wiki http://en.wikipedia.org/wiki/Bob_Cranshaw
special thanks to Mary Jo Papich, Rick Condit - Jazz Education Network
http://www.HammondCast.com
Atlanta GA -- Army Blues "Pershing's Own" with Wycliffe Gordon - incredible smokin' concert last night at 4th Annual JEN Jazz Education Network Conference 2013 - Jon Hammond
— with Wycliffe Gordon at Hyatt Regency Atlanta
2 of my favorite musician Bob's: Bassist Bob Cranshaw and tenor saxophonist Bob Mintzer in Atlanta GA at the 4th annual JEN Jazz Education Network Conference
- Jon Hammond
Jon Hammond and Frank Alkyer at the very prestigious DownBeat Magazine Stand
http://en.wikipedia.org/wiki/Nilson_Matta
Nilson Matta is a premier Brazilian bassist and composer. He has been based in New York City since 1985. He is also known for his work with Trio Da Paz, Don Pullen African Brazilian Connection, Joe Henderson, Yo Yo Ma and Nilson Matta's Brazilian Voyage.
Nilson’s latest project, called Nilson Matta’s Brazilian Voyage, is an exciting group playing many of Matta’s original songs mixed with Brazilian standards. For this album, Nilson called Harry Allen, Anne Drummond, Klaus Mueller, Ze Mauricio and Mauricio Zotterelli into the studio. The album, produced by Nilson and Luisa Matta is dedicated to his native country of Brazil. It literally takes the listener on a “Brazilian Voyage” through the many regions of that country.
Jon Hammond, bassist Bob Cranshaw, trumpeter Blake Martin at Local 802 Musicians Union stand at 4th annual JEN Jazz Education Network Conference - Bob Cranshaw's career career spans the heyday of Blue Note Records to his recent involvement with the Musicians Union -
known to many as long-time bassist on Sesame Street TV Show - http://en.wikipedia.org/wiki/Bob_Cranshaw
Melbourne R. "Bob" Cranshaw (born December 10, 1932, in Evanston, Illinois) is an American jazz bassist. His career spans the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw has been in Rollins's working band on and off for almost five decades, starting with the 1962 album The Bridge.
Some of Cranshaw's best-known performances include on Lee Morgan's The Sidewinder and Grant Green's Idle Moments. Cranshaw also served as the sole session bassist to Sesame Street and The Electric Company songwriter and composer Joe Raposo, and played bass guitar on all songs, tracks, buttons and cues recorded by the Children's Television Workshop during Raposo's tenure.
Although he lacks the name recognition of other bassists, Cranshaw has performed and recorded with a wide range of leading jazz artists, including Ella Fitzgerald, Dexter Gordon, Grant Green, Coleman Hawkins, Jimmy Heath, Joe Henderson, Johnny Hodges, Freddie Hubbard, Bobby Hutcherson, J. J. Johnson, Jackie McLean, Hank Mobley, Thelonious Monk, James Moody, Lee Morgan, Wes Montgomery, Oscar Peterson, Buddy Rich, George Shearing, Wayne Shorter, Horace Silver, Shirley Scott, Stanley Turrentine, McCoy Tyner, Sonny Rollins, George Benson, and Joe Williams.
Along with Wes Montgomery's brother Monk, Cranshaw was among the early jazz bassists to trade his upright bass for an electric bass. He was criticized for this by jazz purists, although he was forced to switch by a back injury incurred in a serious auto accident.
Throughout his long and distinguished career he has also performed on hundreds of television shows and film and television scores. He appears on The Blue Note Story, a 90-minute documentary of the famed jazz label.
Cranshaw was also a founding member of the short-lived MJT + 3 (Modern Jazz Two) that included Frank Strozier on alto saxophone, Harold Mabern on piano, Willie Thomas on trumpet, and Walter Perkins on drums. The Chicago-based group produced several albums, a number for Vee-Jay Records. Another vintage Cranshaw jam, 1964's Blue Flames, featuring Shirley Scott, Stanley Turrentine and Otis Finch, was recorded for Prestige Records. Cranshaw also played live shows for tap dancer Maurice Hines, along with friend and drummer Paul Goldberg.
US Army Blues, Pershing's Own, Precious Lord, JEN 2013, Jazz Education Network, Hyatt Regency Atlanta, Spiritual, Victor Barranco, Graham Breedlove, Gordon K. Kippola, Musicians Union
Manhattan by Night, Louis Vuitton, Bulgari, Apple Store Fifth Ave., Times Square, Mickey Mouse, Local 802, Musicians Union, Organ, Jazz, Blues, Soft News
Duo Session, Last night, Richard Clements, 802 bandstand, Jon Hammond, Jazz, Organ, Blues, Manhattan, distinguished career, music
Labels: 802 bandstand, Blues, distinguished career, Duo Session, Jazz, Jon Hammond, Last night, Manhattan, Music, Organ, Richard Clements

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